The Ecosystem
RONDE is not organised around a centre. It is a constitutive loop: the live feeds propagation, which feeds daily presence in everyday spaces, which feeds anticipation of the next live, which legitimises propagation. No point of departure — a self-sustaining perpetual present.
This dossier focuses on the musical presence — balance found in the act, pressed in its raw state.
Audio-reactive artworks. The wave in everyday spaces — active memory between two lives.
Net Art. The city traversed by the body, the gyroscope as interface.
Live sessions, vinyl, no edit. Balance found in the gesture.
From the live into everyday spaces — the collective wave carried into personal space. The vector that closes the loop.
Method
The session is liquid — it takes the form of the balance that runs through it.
It is not about finding balance before playing: it is in the act of holding multiple streams simultaneously, letting time flow and catching it at the exact moment it takes shape, that balance is constituted. The round does not turn around a fixed centre — it produces its centre in movement.
Mix 0226: live session on four decks, one single take. Four streams, one single length — balance recognised after the fact in what held.
The Loop
As Narrative
Multiple loops, multiple combinations — a balance that builds over the duration of the record.
The practice is built around the loop as a narrative unit. Not the loop as fixed repetition, but as a living layer — present, weighed, adjusted at every moment of the record.
Several loops coexist simultaneously. Not a succession but a superposition: each possible combination opens a different voice. The narrative emerges from what the gesture lets in or keeps out.
The balance is not found before recording. It constitutes itself over the duration of the record — recognised after the fact in what held. One take, no correction possible.
